

Sound
As much as I enjoy the days at the studio, every now and then one just needs to go out to meet new people and listen to the sounds and stories right at the source.
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I've been recording sound for tv-shows, short films, feature films, documentaries, reality shows, radio plays and commercials since 2015. As the years have passed and all the mistakes have been made, I've learned to love this funky job. It has taken me to some amazing adventures and to meet a lot of interesting people I would've probably never met otherwise.
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As the equipment has piled up, optimizing the sound bag has also become an interest of mine. After turning 30 my spine decided that the gear also has to be as ergonomic as possible. So dear directors, I'm up for a challenge: hit me with the longest interview at the most random time and location you got!
The sound bag is built for one-man-band jobs (up to 6 channels - for e.g. boom + 5 wireless) which is plenty for most documentary, reality, commercials, B-unit fiction sets and ENG jobs. For bigger productions or special needs equipment can be rented from colleagues and contacts.
I also rent my gear out to fellow recordists and productions. That said, if you're in a need of ergonomic one-man-band kit, happy to help you.

Equipment

Recorder: Sound devices 633
Power: Audio Root
Wireless: Lectrosonics (3x SMDB + HMa)
Sennheiser (2x G4 100)
Lavaliers: DPA 4060's (for all transmitters)
Lav accessories: belts, concealers etc.
Boom: K-Tek K-152
Mics: MKH50 + DPA 4017C
Shockmounts: Cinela Osix + Cosi
Wireless monitoring: director + camera + video village
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Special ergonomic highlights:
- Manfrotto Nanopole carbon + Boom Swinger as a monopod stand for interviews or other long shots with a long boom.
Can be attached to the front of the bag for easy access.
- K-tek Sting Ray harness + boom hanger
- DPA 4017C + Cinela Cosi = 293 gram light weight combo at the end of the boom pole